From Reuters
RABAT (Reuters) – A Moroccan rapper who has become one of the monarchy’s boldest critics was freed on Thursday, activists said, after he served a four-month sentence for assault, a charge which his lawyers say was a ploy to muzzle the popular singer.
“El-Haqed walked out of prison a little while ago shouting ‘long live the people’,” said activist Omar Radi, near Casablanca’s main Oukacha prison.
Earlier on Thursday, a court in Casablanca sentenced 24-year-old Mouad Belrhouat, better known as El-Haqed (“The Sullen One”), to four months and three days in jail and fined him 500 dirhams, sources in the court said.
Belrhouat was arrested in September after a brawl with a monarchist. Bail requests by his lawyers were rejected and the trial was adjourned six times.
“It’s a bittersweet victory for us,” said activist Maria Karim.
El-Haqed has become the singing voice of the protest movement, inspired by Arab world uprisings, demanding a constitutional monarchy, an independent judiciary and a crackdown on corruption.
Morocco’s main human rights group, AMDH, considers him to have been a prisoner of conscience.
His lyrics telling Moroccans to “wise up” have angered many monarchists. In one song, he says the king spends so much time giving orders that he has little time to count his money in Switzerland.
Belrhouat has struck a chord with young Moroccans who are disenchanted with the lack of jobs and one song “Bite just as much as you can chew” has had more than 600,000 hits on Youtube.
From The New York Times
TRIPOLI, Libya — A small crowd of boys huddled around the open door of a concrete shed turned recording studio to gawk at a trio of Libyan rappers in black baseball caps and oversize hoodies mixing tracks on a wide computer screen.
The men paid little attention to their wide-eyed audience and labored through take after take of their latest project: a public service announcement for a local television station urging trigger-happy rebel fighters to lay down their arms, something they still have not done four months after Col. Muammar el-Qaddafi was driven from power.
“Don’t open fire into the air; our lives are more valuable than the cost of bullets,” said Siraj Kamal Jerafa, 28, locked inside an improvised sound booth whose walls were covered in worn sofa upholstery. At the end of the night, he emerged smiling to a roomful of high fives. With nothing more to see, the little boys outside wandered back to their homes.
Waayaha Cusub remain defiant despite bearing the scars of the Islamist group, whose reach has extended to Nairobi
Clar Ni Chonghaile in Nairobi
Shine Ali doesn’t scare easily. If he did, he would not be with his band in a basement studio in Nairobi, rapping lyrics that challenge the Islamist rebels who control much of his homeland, Somalia – and whose reach extends deep into the Kenyan capital.
Ali is well aware of the risks he is running. Three years ago, members of the al-Shabaab group broke into his home in Nairobi’s Eastleigh neighbourhood and shot him.
“They said, ‘Your message is anti-jihad. You are telling the youth to give up jihad,’” the 29-year-old says in halting English. Ali edges down his baggy checked shorts, pulls up his hooded sweatshirt and shows a scar on his right hip. He has another one on his left arm.
“When they shot me, I knew that if I stopped the music, they would win but if I continued, my power would win.”
16 November 2011
Joseph Sywenkyj for The New York Times
BAGHDAD — With his New York Yankees jersey, baggy jeans embroidered with “U.S.A.” down one leg and his casual greeting of “What’s up?”, Ali Jabbar, a rapper and a student in Islamic studies, seems an alien in his own culture.
From The New York Times
DAKAR, Senegal — A revolution led by rappers says something about a country’s politics or its music, or maybe both.
In Senegal, the political mainstream appears stagnant and the musicians anything but, which explains why laid-back musicians with stage names like Fou Malade (“Crazy Sick Guy”) and Thiat (“Junior”) are leading a vigorous demonstration movement against the country’s octogenarian president, who does not want to leave office.
The Arab Spring is widely known as a Twitter rebellion, but underground hip-hop artists also played a very important role. Robin Wright, author of “Rock the Casbah: Rage and Rebellion Across the Islamic World,” talks with Jerry Seib about the phenomenon.
In November 2010, a young Tunisian rapper who called himself El General posted a song on his Facebook page and YouTube. He had no alternative.
The government of President Zine al-Abidine Ben Ali had virtually banned hip-hop. Its musicians were not on government-approved playlists for state-controlled television or radio. They were rarely able to get permits to perform in public. And most were barred from recording CDs.
In late October, the Brooklyn-based live hip-hop outfit Chen Lo and the Liberation Family – known now as The Lo Frequency -came to Beirut for a two-month residency in order to establish a Hip-Hop Academy and to perform with local talent (MCs, DJs, and producers). The US embassy initiative was not exactly what they expected. Beats and Breath linked up with the Lo Frequency in Brooklyn to discuss what ultimately became a two-month blessing for the Arab hip-hop movement.
OG members of The Lo Frequency fam (L to R: BAASIK, Chen Lo, Ken White, DJ Scandales) Read more…
Great new piece by raptivist and scholar Aisha Fukushima on New America Media:
As the world watches Cairo burn, I can’t help but think that the flames of protest engulfing Egypt were sparked by Mohamed Bouazizi, the Tunisian street vendor who set himself on fire on December 17 after police confiscated his vegetable cart. The desperation that he expressed through his act of self-immolation caught on, literally, and spread across the country, into Algeria, and now to Egypt.
But Mr. Bouazizi, God rest his soul, was not the only young Tunisian to sacrifice his own safety, and life, to ignite the country in a revolt against dictatorship. Twenty-one year old Hamada Ben Amor, also known as El General released an incendiary rap song called “Head of State” around the same time as Bouazizi’s suicidal act. The song, which directly addresses now-former President Zine El Abidine Ben Ali, caught on like wildfire on Facebook, inspiring thousands of young Tunisians to take to the streets, and landing El General in jail. The young rapper was not heard from for days and many assumed the worst, as Ben Ali’s security forces had already killed 14 protesters and made many more disappear.
The happy ending to the story is that Hamada Ben Amor did not have to die to make his message heard. In fact, this past weekend, El General took to the stage once more, in Tunis, to give an emotional performance in front of a crowd of students. And he’s about to go on his first tour this summer, first around Tunisia and then on to Greece, Senegal, and France.
As the debate blazes on, as it inevitably will, as to who is really responsible for setting off the powderkeg of North African discontent, I encourage you all to read the words of Hamada Ben Amor, aka. El General, and take a moment to meditate on the power of Hip Hop music to articulate frustration and incite young people to action – but without violence or destruction. One cannot help but wonder if Mohammed Bouazizi’s fate would have been different had he grabbed a microphone instead of a can of gasoline. His mother, who attended the El General concert and applauded in tears, certainly wishes that he had.
